During this National Day holiday, we’re taking you on a virtual journey through Beijing’s cultural landmarks. Since opening its doors in February 2022, the China Arts and Crafts Museum, located along the northern extension of Beijing’s central axis, has already welcomed over 2 million visitors. On just the first day of this holiday, the museum recorded an impressive 6,144 reservations.
As we enter the exhibition hall, our eyes are immediately drawn to four large jade sculptures from the 1980s. One standout piece, a jade flower basket, is remarkable not just for its craftsmanship but also for its depiction of peonies, chrysanthemums, magnolias, and plum blossoms, which together represent all four seasons in a single magnificent display.
I couldn’t resist asking, “Does that sunburst at the corner come from the same material?”
“Yes, it does,” replied Zhang Yue, our knowledgeable guide. “The red section is what we call ‘feicui,’ sourced from the same stone. This technique highlights the philosophy of ‘using the material’s nature to enhance the artistry’—we refer to it as ‘qiase qiaodiao.'”
Zhang elaborated on qiase qiaodiao, a revered technique in jade artistry that harnesses the natural colors and textures of the stone to blend form and color, creating pieces that are as visually captivating as they are artistically significant.
“This piece is an example of openwork carving,” Zhang added. “The smallest chisel used for the intricate engravings is even thinner than a sewing needle.”
Openwork carving is a vital technique in traditional jade craftsmanship, where parts of the jade are skillfully removed to accentuate the main design or contours. This method has its roots in the Neolithic era and continues to evolve over thousands of years.
As we move on, we find ourselves enchanted by another exquisite craft piece titled “Dragon Soaring in Prosperity.”
Taking in the details, I remarked, “In the hands of a skilled craftsman, whether it’s rare gemstones or timber, everything becomes an instrument of creation. The aesthetic beauty is profound, and the functionality is clear.”
Zhang provided insight into Chao embroidery, which traces its origins back to the Tang Dynasty. One of China’s four renowned embroidery styles, it is particularly celebrated for its rich and balanced compositions, utilizing various stitching techniques to create a striking three-dimensional effect. In 2006, it was designated as one of the first national-level intangible cultural heritage items, with its exquisite pieces often presented as state gifts to dignitaries worldwide.
To engage the public’s cultural interests during the holiday season, the China Arts and Crafts Museum has launched a variety of exhibitions, including an educational display on embroidery and a showcase titled “China’s Intangible Heritage: The Lacquer Craft of Shanxi.” Both promise to be visually stunning and artistically enriching experiences.
